Sans Superellipse Mida 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Archimoto V01' and 'Nue Archimoto' by Owl king project (names referenced only for comparison).
Keywords: headlines, posters, logos, ui labels, gaming, techy, futuristic, playful, chunky, industrial, impact, tech styling, modular system, headline clarity, brand presence, rounded corners, squared forms, stencil-like, modular, compact.
A heavy, geometric sans built from rounded rectangles and superellipse curves, with consistently blunted terminals and smooth corner radii. Strokes are uniform and dense, producing compact counters and squared bowls that stay open through generous internal cut-ins. The uppercase feels boxy and structured, while the lowercase repeats the same modular logic with simplified joins and minimal contrast, creating a steady, grid-friendly rhythm. Numerals follow the same squared, rounded-rectangle construction, reading clearly with sturdy, block-like silhouettes.
Best suited to display settings where impact and quick recognition matter, such as headlines, posters, brand marks, packaging, and interface labels. It can also work well for game titles, sci‑fi themed graphics, and technical signage where a compact, blocky rhythm supports a strong visual hierarchy.
The overall tone is distinctly techno and game-adjacent: bold, clean, and slightly retro-futurist. Its softened corners keep it approachable, while the tight, engineered shapes suggest digital interfaces, hardware, and industrial labeling. The result is confident and playful rather than formal.
The design appears intended to deliver maximum presence with a systematic, rounded-rectangle geometry—prioritizing bold silhouettes, modular consistency, and clear differentiation in short strings. It aims for a contemporary tech feel with a softened, friendly edge that remains highly graphic at large sizes.
Several letters show purposeful “notches” and cutbacks that help differentiate similar forms and keep counters from closing at bold sizes. The design’s modularity is especially apparent in repeated corner radii, consistent stem widths, and squared curves across both cases and the numerals.