Sans Superellipse Ehrah 7 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'Probeta' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, technology, sporty, technical, modern, streamlined, energetic, modernization, speed, compactness, system coherence, brand impact, condensed, slanted, rounded corners, squared curves, oblique stress.
A condensed, forward-slanted sans with rounded-rectangle (superelliptical) construction and softly squared curves. Strokes stay fairly even with minimal modulation, while terminals are clean and open, producing a crisp silhouette at display sizes. Counters tend toward squarish ovals, and curves (notably in C, G, O, S, and 0) feel engineered rather than calligraphic. The rhythm is tight and vertical, with compact apertures and a consistent oblique angle across capitals, lowercase, and numerals.
Best suited to headlines, short captions, posters, and branding where a compact, forward-moving voice is desirable. The condensed, oblique forms make it effective for sports, automotive, tech, and UI/label-style applications, particularly in larger sizes where the squared-round geometry can be appreciated. It can also work for punchy pull quotes or packaging where space is limited.
The overall tone is fast, modern, and slightly futuristic, with a sporty momentum driven by the uniform slant and condensed proportions. Rounded corners keep it approachable, while the squared curves add a technical, industrial edge. It reads as confident and energetic rather than casual or decorative.
The design appears intended to deliver a sleek italic sans that combines friendliness (rounded corners) with a precise, engineered feel (squared curves and controlled apertures). The condensed width and consistent slant suggest an emphasis on velocity and efficiency, aiming for strong impact in modern display settings.
Distinctive superelliptical rounding gives the alphabet a cohesive, system-like feel, especially in the bowls and numerals. The lowercase maintains the same engineered geometry as the capitals, and the figures follow suit with compact, streamlined shapes that match the italic flow. Spacing appears tuned for display: letters feel tightly coordinated without looking cramped in the sample text.