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Free for Commercial Use

Sans Normal Utrif 9 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Myriad' by Adobe, 'FF Transit' by FontFont, 'CamingoDos SemiCondensed' by Jan Fromm, 'Interval Next' by Mostardesign, 'Neue Reman Sans' by Propertype, and 'Ranelte' by insigne (names referenced only for comparison).

Keywords: branding, editorial, ui text, headlines, signage, modern, dynamic, clean, neutral, sporty, emphasis, motion, clarity, contemporary branding, legibility, humanist, oblique, rounded, open counters, airy.


Free for commercial use
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A slanted sans with smooth, rounded construction and low stroke modulation. Curves are generously open and terminals read as clean, slightly sheared cuts that reinforce the forward-leaning rhythm. Proportions feel balanced with a moderate x-height and clear aperture shapes; round letters stay lively rather than perfectly geometric, and spacing looks even in both all-caps and mixed text. Figures are straightforward and readable, with simple curves and consistent stroke behavior.

Works well for branding systems that want a modern, forward-leaning tone, and for editorial callouts or subheads where emphasis is needed without high contrast. Its clean shapes and consistent rhythm make it suitable for interface labeling, navigation, and short-to-medium text on screens, as well as wayfinding or product messaging where quick recognition matters.

The overall tone is contemporary and energetic, with an approachable neutrality. The italic stance adds momentum and a sense of motion without becoming decorative, giving it a practical, modern voice suited to active or tech-adjacent messaging.

The font appears intended as a versatile italic sans that reads cleanly while projecting speed and modernity. Its rounded, open forms aim for broad legibility and a smooth text color, offering an energetic alternative to a purely upright neo-grotesque.

Capital forms remain crisp and stable while the lowercase leans into more pronounced motion, creating a useful contrast for hierarchy. The design emphasizes clarity through open counters and simplified joins, keeping the texture smooth in longer lines.

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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸