Sans Normal Panuv 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chesna Grotesk' by Horizon Type, 'Candid' by Lucas Tillian, 'Almarose' by S&C Type, 'Pulp Display' by Spilled Ink, 'Mundial Narrow' by TipoType, and 'TT Commons Classic' and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, kids media, friendly, playful, chunky, approachable, retro, approachability, display impact, playfulness, warmth, brand voice, rounded, soft terminals, bubbly, compact, sturdy.
A heavy, rounded sans with softly sculpted curves and gently flattened joins that create a chunky, cushioned silhouette. Strokes remain largely consistent with minimal contrast, and counters are generous for the weight, helping shapes stay open. Terminals are predominantly rounded, while a few corners (notably on K, V, W, X, and Z) show subtly chamfered or blunted angles that add a hand-shaped feel. The overall rhythm is compact and steady, with slightly varied glyph widths that keep the texture lively rather than mechanically uniform.
Best suited to headlines and short display copy where its mass and rounded shapes can create an inviting presence. It’s a strong fit for playful branding, packaging, posters, and entertainment-oriented graphics, and can work well in children’s or family-friendly contexts. In longer passages, it’s likely most effective at larger sizes where spacing and counters remain comfortably open.
The font reads warm and approachable, with a playful, slightly retro cartoon sensibility. Its rounded forms and sturdy weight give it a friendly confidence—more fun and informal than corporate or technical—while staying clear enough to feel dependable in short bursts of text.
The design appears intended to deliver a friendly, high-impact voice through rounded geometry and soft terminals, combining strong legibility with an informal, cheerful personality. It aims for bold presence without harshness, using blunted diagonals and generous counters to keep the tone approachable.
Circular letters (O, o, 0) are very round and prominent, while diagonals are thick and softened so they don’t feel sharp. The lowercase shows single-storey forms (notably a and g), reinforcing an informal tone. Numerals are similarly bulbous and characterful, matching the lettering without looking overly decorative.