Sans Other Tunek 3 is a very light, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, tech ui, logotypes, futuristic, minimalist, technical, sleek, geometric, modernism, sci‑fi feel, geometric exploration, distinctive display, rounded, modular, open counters, extended caps, tall ascenders.
A thin, monoline sans with a geometric, modular construction that blends straight strokes with generous radiused corners. Curves often read as partial arcs paired with flat terminals, creating open bowls and counters in letters like C, G, S, and e. Proportions skew extended in the capitals, with relatively small joins and consistent stroke weight that keeps the texture airy. The lowercase maintains a clean rhythm with simplified forms and occasional distinctive structures (notably the arched m/n and the single-storey a), while figures echo the same rounded-rectilinear logic for a cohesive set.
Best suited to display applications such as headlines, posters, branding, and logotypes where its modular geometry can define a clear voice. It can also work for tech-facing interfaces, titles, and short UI labels when size and contrast are sufficient to preserve the delicate strokes and open counters.
The overall tone feels futuristic and engineered—clean, precise, and slightly experimental. Its open, arc-based shapes and restrained detailing give it a modern, high-tech character that can read as sci‑fi or digital without becoming overly decorative.
This font appears designed to explore a streamlined, geometric sans vocabulary with arc-and-line constructions, prioritizing a distinctive, contemporary silhouette over conventional text-neutral forms. The consistent monoline drawing and rounded engineering cues suggest an intention toward modern digital and sci‑fi-leaning design contexts.
The design leans on horizontals and semicircular turns, producing a distinctive “open” silhouette in several glyphs that emphasizes negative space. With its very light stroke and airy spacing, it will read best when given room, and its personality becomes more apparent at display sizes where the unconventional constructions are easiest to perceive.