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Free for Commercial Use

Solid Fike 10 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Akkordeon' by Emtype Foundry, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'HARBER' by bb-bureau (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, retro, cartoonish, friendly, impact, whimsy, retro flavor, graphic mass, headline draw, rounded, bulbous, blobby, soft corners, compact.


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A heavy, compact display face built from inflated, rounded blocks with softly squared corners and a slightly irregular rhythm. Strokes are consistently thick, with counters largely collapsed into shallow notches or sealed shapes, producing mostly solid silhouettes. The forms lean on simple geometry—ovals, rectangles, and wedge-like cuts—creating distinctive bite marks in letters like C, S, and G. Lowercase proportions are tall and sturdy, with short extenders and minimal interior detail, and numerals follow the same swollen, cut-in construction.

Best suited for headlines and short phrases where its dense silhouettes can read as a single, graphic statement. It works well for logos, packaging, and promotional materials that benefit from a playful, high-impact look, and it can be effective on stickers, signage, or social graphics when set large with comfortable spacing.

The overall tone is bold and cheeky, reading as friendly and toy-like rather than formal. Its blobby silhouettes and sealed counters give it a punchy, poster-ready personality that nods to retro cartoon title lettering and playful pop graphics.

The design appears aimed at creating maximum visual impact through solid, rounded shapes and minimized counters, prioritizing a bold graphic presence over conventional readability at small sizes. Its simplified construction and irregular cut-ins suggest a deliberately whimsical display style meant to stand out in fun, informal branding contexts.

Spacing appears intentionally tight-looking due to the wide black mass and reduced internal whitespace, so text sets best with generous tracking and ample line spacing. Similar silhouettes (e.g., O/Q/0 and several lowercase forms) rely on small notches for differentiation, which becomes an intentional stylistic quirk at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸