Print Jedad 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Deansgate' by K-Type, 'Duddy' by Letritas, 'Comenia Sans' by Suitcase Type Foundry, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: children’s books, posters, packaging, logos, headlines, playful, bubbly, friendly, whimsical, casual, approachability, handmade feel, comic impact, headline punch, youthful tone, rounded, blobby, soft, chunky, cartoonish.
A chunky, rounded display face with heavy, blobby strokes and soft, swelling contours that feel hand-drawn rather than mechanically constructed. Terminals are predominantly rounded, counters are generously open, and curves dominate with only occasional simplified straight segments. Spacing and letter widths vary noticeably, reinforcing an organic rhythm and an uneven, lively texture in text. Overall forms are simplified and slightly wobbly, with compact joins and a consistent, inked-in silhouette.
Well-suited for playful headlines, posters, and brand moments that need warmth and humor, such as kids’ media, snacks and sweets packaging, and casual event graphics. It can also work for short logo wordmarks where a friendly, handmade presence is desirable; for longer reading, it’s best reserved for larger sizes or brief passages.
The font conveys a cheerful, approachable tone with a comic, kid-friendly energy. Its buoyant shapes and irregular rhythm make it feel informal and spontaneous, leaning toward fun and personality over precision.
The design appears intended to mimic bold marker or brush lettering in a clean, repeatable way, prioritizing charm, softness, and immediacy. Its variable widths and rounded, inflated strokes suggest a goal of creating an inviting, cartoon-ready display voice that stands out quickly and feels human.
Uppercase and lowercase share a cohesive, softened geometry that keeps words visually dense and bold on the page. The strong silhouettes and open counters help maintain recognizability at display sizes, while the irregularities become more pronounced in longer passages.