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Free for Commercial Use

Solid Teko 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Mekon' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, titles, playful, retro, chunky, quirky, graphic, impact, novelty, branding, silhouette, decorative, geometric, stencil-like, notched, rounded, monoline.


Free for commercial use
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A heavy, geometric display face built from simple blocks, circles, and wedges, with frequent triangular notches and cut-ins that interrupt otherwise solid silhouettes. Curves are broad and round (notably in C, G, O, and 0), while many joins and terminals resolve as flat planes or sharp points, creating a punchy, poster-like rhythm. Counters are largely collapsed into solid shapes; instead of open bowls, the design relies on cutouts, bites, and slits to differentiate letters and maintain legibility. The overall texture is dense and inky with consistent stroke weight and crisp edges, and the figures echo the same cutout logic for a cohesive set.

Best suited for short, high-impact settings such as headlines, posters, branding marks, packaging callouts, and title treatments where the solid shapes and cut-in detailing can read clearly at larger sizes. It can also work for playful signage or event graphics when used with generous spacing and ample contrast against the background.

The tone is bold and lighthearted, with a mid-century, sign-painting-meets-cut-paper feel. The repeated “bites” and notches add a sense of motion and whimsy, giving the alphabet a toy-like, attention-grabbing personality that reads as deliberately unconventional rather than formal.

The design appears intended to maximize visual impact through near-solid letterforms, using notches and wedge cutouts as the primary differentiator between characters. It prioritizes graphic silhouette and stylistic consistency over conventional counter structure, aiming for a distinctive, emblematic look in display typography.

The cutout motif is applied across uppercase, lowercase, and numerals, producing strong visual branding but also a compact, high-blackness text color in paragraphs. The lowercase maintains recognizable skeletons while leaning on geometric simplification, and punctuation appears rounded and weighty to match the letterforms.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸