Sans Superellipse Ibgot 2 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Campione Neue' by BoxTube Labs, 'Otoiwo Grotesk' by Pepper Type, 'Amsi Pro' and 'Sans Beam' by Stawix, and 'Obvia Condensed' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, friendly, retro, bold, space saving, impact, approachability, retro display, soft corners, compact, bouncy, chunky, high impact.
This typeface is a heavy, compact sans with rounded-rectangle construction and softly pinched curves. Strokes are thick and generally even, with slightly modulated joins that create a subtle carved feel in counters and terminals. The proportions are condensed with a tall x-height, giving lowercase forms strong presence and tight, efficient silhouettes. Rounded corners and squarish bowls dominate (notably in O/C/D/Q), while diagonals (V/W/X/Y) read sturdy and blocky rather than sharp.
Best suited for display settings where impact and compactness matter: headlines, posters, signage, packaging, and bold brand marks. It can also work for short bursts of text (taglines, callouts, UI labels) when set with generous spacing and ample size to preserve counter clarity.
The overall tone is upbeat and approachable, combining a punchy display weight with soft, rounded geometry. It suggests a retro headline sensibility—confident and attention-grabbing—without feeling aggressive thanks to the cushioned corners and friendly curves.
The design appears intended to deliver maximum visual punch in limited horizontal space while maintaining a friendly, rounded character. Its superelliptical forms and tall lowercase proportions prioritize immediate legibility at display sizes and a distinctive, retro-leaning voice for attention-focused typography.
Counters tend to be small and rounded, so the face holds its color as a dense, dark texture in text. The numerals and uppercase share the same compact, superelliptical logic, producing a cohesive, poster-like rhythm across mixed copy. The lowercase has a sturdy, slightly quirky presence that keeps long lines lively while remaining clearly structured.