Sans Superellipse Sigim 3 is a bold, narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, signage, modern, assertive, clean, friendly, compact, compact impact, modern utility, friendly geometry, rounded, monolinear, closed apertures, tall capitals, soft corners.
This typeface is a compact, heavy sans with rounded-rectangle construction and gently softened corners. Strokes are mostly uniform with subtle modulation, producing a dense, steady color in text. Capitals are tall and relatively narrow, while round letters like C, O, and Q read as superelliptical with vertical emphasis. Terminals are largely blunt and squared-off, counters are tight, and curves transition into straights with a controlled, engineered feel. The lowercase keeps a straightforward, single-storey a and g, with short, sturdy arms and minimal flourish; figures are similarly sturdy and geometric.
It performs best in headlines, short statements, and branding applications where a compact footprint and strong emphasis are useful. The geometric, rounded construction also fits packaging and signage that needs to feel contemporary and cohesive. For extended reading, it is likely most comfortable with generous leading and sizing to offset the dense counters.
The overall tone is contemporary and utilitarian, with a confident, no-nonsense voice. Rounded corners keep it approachable, while the condensed proportions and dark weight add urgency and impact. It feels suited to direct messaging where clarity and punch matter more than delicacy.
The design appears intended to deliver high-impact communication in a tight horizontal space while maintaining a friendly, contemporary finish through rounded corners and superelliptical curves. Its consistent, engineered geometry suggests a focus on clarity, repeatable shapes, and a strong visual identity.
The tight apertures and compact spacing create strong presence at larger sizes, while the dense interior shapes can make longer text blocks feel heavy. The ampersand and punctuation follow the same squared, softened geometry, reinforcing a consistent, system-like rhythm across the set.