Font Hero

Free for Commercial Use

Inline Nava 2 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Fattty' by Drawwwn, and 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, signage, industrial, western, rugged, playful, vintage, impact, vintage feel, handcrafted, texture, signage look, slab-like, rounded, chunky, distressed, carved.


Free for commercial use
Customize the font name

A chunky, heavy display face with broad, blocky forms and rounded corners that soften the silhouette. Counters are generally compact and geometric, with a slightly irregular, hand-cut feel across curves and joins. A consistent inline-style cut and scattered distressing create small breaks and speckled voids within the strokes, giving the letters a worn, printed texture. Spacing is sturdy and headline-oriented, with simplified shapes that favor impact over fine detail.

Best suited to posters, big headlines, labels, and packaging where a bold, textured voice is desirable. It can also work for logo wordmarks and event or venue signage when a rugged, retro-industrial impression is needed. Use generous sizing and simple backgrounds to keep the carved inline detail and distressing clear.

The overall tone feels bold and workmanlike, with a rugged, vintage character—like stamped signage or worn poster type. The inline cut adds a crafted, cutout quality that reads as playful and retro rather than strictly utilitarian. The distressed texture contributes a gritty, lived-in mood suited to energetic, attention-getting messages.

The design appears intended to deliver maximum impact with a crafted, worn finish—combining solid, slab-like construction with a carved inline and distressed interior to evoke vintage print and signage aesthetics.

The inline and distressing are visually prominent at larger sizes and will become a defining texture in headlines; at small sizes these interior breaks may visually fill in or fragment, so the strongest results will come from display-scale use and high-contrast color setups.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸