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Distressed Keku 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Fuller Sans DT' by DTP Types, 'News Gothic EF' by Elsner+Flake, 'Franklin Gothic' by ITC, 'Latino Gothic' by Latinotype, 'News Gothic No. 2' by Linotype, 'Applied Sans' by Monotype, 'Franklin Gothic' and 'News Gothic' by URW Type Foundry, and 'Franklin Gothic Raw' by Wiescher Design (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, signage, rugged, vintage, playful, punchy, rustic, add texture, evoke nostalgia, signal craft, boost impact, create grit, roughened, inked, blunt, chunky, weathered.


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A heavy, blocky serif with compact proportions and rounded corners, built from broad strokes and sturdy counters. The letterforms show deliberate roughening: edges look abraded and uneven, with a slightly inked, stamped quality rather than clean vector smoothness. Serifs are short and blunt, and curves (notably in O, C, G, and S) stay full and weighty, maintaining strong silhouette clarity. Overall spacing reads steady, while the texture introduces lively, irregular rhythm across the line.

Best suited to display contexts where texture is an asset: bold headlines, event posters, brand marks, product labels, and rustic or retro-themed packaging. It can also work for short, high-impact pull quotes or section headers, especially when paired with a cleaner companion for body text.

The texture and chunky forms give a handmade, worn-in tone that feels nostalgic and gritty without becoming chaotic. It suggests printed ephemera, posters, and signage where imperfection adds character, balancing toughness with a friendly, slightly humorous warmth.

The design appears intended to deliver maximum impact with a rugged, printed feel—combining a traditional serif structure with distressed edges to evoke age, tactility, and analog production.

At larger sizes the distressed contour becomes a defining feature, while at smaller sizes the rough edge may visually thicken joins and narrow apertures. The numerals and capitals carry the strongest graphic presence, with a consistent, poster-forward weight across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸