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Free for Commercial Use

Wacky Irvo 8 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio, 'DIN Next Rounded' by Monotype, 'Sebino Soft' by Nine Font, and 'Core Sans DS' by S-Core (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids, stickers, playful, quirky, cartoony, handmade, slapstick, humor, whimsy, expressiveness, handmade feel, attention, rounded, blobby, chunky, inked, textured.


Free for commercial use
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A heavy, rounded display face built from soft, inflated strokes with bulbous terminals and a slightly uneven, hand-formed rhythm. Letterforms are generally simple and geometric at their core, but edges wobble and counters vary, creating an intentionally inconsistent silhouette from glyph to glyph. The texture shows irregular nicks and voids inside the black shapes, giving the impression of distressed ink or eroded fill rather than clean vector solids. Spacing feels loose and buoyant, and widths fluctuate noticeably across the alphabet, emphasizing an informal, improvised construction.

Best suited for short, attention-getting copy such as posters, event titles, product labels, party invites, and playful packaging. It can also work for kids’ materials, games, and social graphics where a goofy, handmade look is desirable. Use larger sizes and generous tracking/leading to keep the distressed texture from interfering with legibility.

The overall tone is comedic and offbeat, with a friendly, goofy presence that reads more like a prop or character voice than a neutral text tool. Its blobby forms and imperfect interiors evoke craft, messiness, and playful chaos—suggesting humor, spontaneity, and a lighthearted, kid-friendly energy.

The design appears intended to deliver an instantly recognizable, humorous display voice through inflated, rounded forms and deliberately imperfect, distressed interiors. Its uneven rhythm and variable widths prioritize character and novelty over uniformity, aiming for expressive impact in headlines and branding moments.

In paragraphs, the distressed interior breaks become more apparent, adding visual noise that increases personality but reduces clarity at small sizes. The font holds together best when given room to breathe, where its rounded silhouettes and quirky irregularities can read as deliberate style rather than artifact.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸