Sans Contrasted Edbo 13 is a regular weight, very wide, very high contrast, italic, normal x-height font.
Keywords: headlines, logotypes, posters, sports branding, tech branding, sporty, futuristic, dynamic, technical, sleek, express speed, signal precision, create impact, modernize branding, display emphasis, oblique, angular, racy, taut, sharp.
This typeface uses a forward-leaning oblique construction with very pronounced thick–thin modulation. Forms are wide and horizontally stretched, with taut curves and sharply tapered terminals that often end in knife-like points. Counters tend toward squared or rounded-rectangle shapes, and many joins are crisp and angular, giving the outlines a cut, aerodynamic feel. The rhythm is driven by long horizontal strokes and slanted verticals, producing a fast, continuous texture in text despite the strong contrast.
It performs best in display settings where its width, slant, and contrast can be appreciated—such as headlines, wordmarks, posters, and branding for sports, automotive, or technology contexts. Short to medium text lines work well for punchy statements, while dense body copy may require generous sizing and spacing to keep the sharp details from visually crowding.
The overall tone is energetic and speed-oriented, evoking racing graphics, sci‑fi interfaces, and technical branding. Its sharp terminals and aerodynamic slant read as assertive and performance-minded, with a slightly retro-digital edge reminiscent of late-20th-century display lettering.
The design appears intended to communicate speed and precision through wide proportions, a consistent forward slant, and sharply tapered terminals. High contrast and squared counters add a technical, engineered character aimed at impactful display typography rather than quiet, everyday text.
Uppercase and lowercase share a consistent oblique axis and extended proportions, helping headlines feel cohesive. Numerals follow the same aerodynamic logic, with strong contrast and streamlined silhouettes that emphasize motion over neutrality.