Sans Superellipse Odto 9 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Geogrotesque Expanded Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Refinery' by Kimmy Design, 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry, and 'Sweet Square' by Sweet (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, ui display, techy, friendly, futuristic, sporty, confident, impact, modernity, geometric consistency, digital feel, approachability, rounded, squared, blocky, geometric, soft-cornered.
A heavy, geometric sans built from rounded-rectangle and superellipse-like forms, with generous corner radii and smooth, uniform stroke thickness. Counters tend toward squared ovals, giving letters like O, Q, and 0 a distinctly box-rounded silhouette. Terminals are mostly blunt and softened rather than sharp, and joins are clean with minimal modulation, producing a sturdy, engineered texture. Spacing reads open and even, and the overall rhythm is consistent across caps, lowercase, and figures, with compact internal apertures that emphasize a solid, punchy color.
This style is well-suited to headlines, brand marks, and short text where a bold, contemporary voice is needed. It can also work effectively for UI display text, dashboards, and on-screen labels where squared-rounded forms reinforce a digital or industrial aesthetic. Its strong numerals make it a good fit for scoring, pricing, and product/tech contexts where figures appear alongside type.
The softened-square geometry conveys a modern, tech-forward tone while staying approachable and friendly. Its strong, compact shapes feel confident and sporty, suggesting digital interfaces, contemporary branding, and utilitarian design with a touch of futurism.
The design appears intended to merge geometric rigor with softened corners, creating a sturdy sans that feels both technical and approachable. By basing many forms on rounded rectangles and maintaining uniform stroke behavior, it prioritizes consistency, impact, and a distinctive superellipse identity across letters and numbers.
The lowercase follows the same rounded-rect logic as the caps, creating a cohesive system; shapes like a, e, and g look deliberately simplified and highly geometric. Numerals are similarly squarish and robust, designed to match the letterforms closely for uniformity in mixed text. The overall impression is more display-oriented than delicate, favoring impact and clarity over fine detail.