Sans Superellipse Nulom 2 is a very bold, normal width, monoline, italic, normal x-height font.
Keywords: headlines, logos, posters, sports branding, gaming ui, futuristic, sporty, techy, dynamic, industrial, impact, speed, modernity, branding, interface, rounded corners, oblique, extended curves, squared bowls, angular joins.
A heavy, oblique sans with a superelliptic construction: rounded-rectangle counters, squared-off curves, and consistently softened corners throughout. Strokes read largely uniform, with crisp, slightly angled terminals that reinforce forward motion. Proportions are compact and engineered, with wide, boxy bowls (notably in O/Q/0) and tight apertures that keep the silhouette dense. The lowercase maintains a steady rhythm with sturdy stems and simplified forms, while numerals match the same rounded-rect geometry for a cohesive alphanumeric texture.
Best suited to display settings where impact and motion matter: headlines, posters, logo marks, esports/sports graphics, and technology-oriented packaging. It can also work for short UI labels or interface titling where a futuristic, high-contrast silhouette is desirable, though the tight apertures suggest avoiding very small sizes for longer text.
The overall tone is fast, modern, and technical—suggesting speed, machinery, and digital interfaces. Its bold, slanted stance and squared-round shapes give it a sporty confidence that feels at home in sci‑fi, motorsport, and product-forward branding.
The font appears designed to deliver maximum punch with a cohesive rounded-rect geometry, combining an aerodynamic slant with industrial sturdiness. Its goal is a contemporary, high-energy voice that stays clean and functional while still feeling distinctive and branded.
The design leans on strong negative-space shapes (especially in E, B, 8, and 0) and a slightly condensed feel created by tight counters and compact joins. Uppercase and lowercase share a unified, modular logic, with distinctive, stylized diagonals and angular transitions that add personality without introducing ornamental detail.