Sans Superellipse Onref 3 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, tech logos, product ui, signage, techy, futuristic, clean, friendly, modular, modernize, systematize, humanize, differentiate, rounded, rectilinear, geometric, soft corners, wide apertures.
A rounded-rect geometric sans with monoline strokes and a distinctly superelliptical construction. Corners are generously softened while bowls and counters stay squared-off, producing a crisp, modular silhouette. Curves transition into straight segments with minimal flare, and terminals are clean and consistently rounded. The overall rhythm is even and engineered, with open apertures and clear interior spaces that keep letters readable despite the stylized geometry.
Well suited to user interfaces, dashboards, and product branding where clarity and a modern, engineered voice are desired. The sturdy, rounded geometry works well for headings, navigation labels, and logotypes, and it can also perform in short text in digital contexts where a clean, contemporary aesthetic is important.
The tone feels contemporary and tech-forward—like interface typography with a friendly, approachable edge. Its rounded corners soften the otherwise precise, constructed forms, giving it a sleek but not cold personality. The result reads as modern, digital, and slightly sci‑fi without becoming decorative.
Likely designed to provide a distinctive geometric sans for modern digital environments, combining strict, modular structure with softened corners for approachability. The emphasis appears to be on consistent construction and a recognizable silhouette that holds up in display and interface settings.
Distinctive superellipse shaping is especially evident in rounded characters and numerals, which look like softened squares rather than traditional circles. Several forms lean on simplified, constructed logic (e.g., squared bowls and controlled joins), reinforcing a consistent, system-like feel across uppercase, lowercase, and figures.