Cursive Atmoy 2 is a regular weight, very narrow, high contrast, upright, very short x-height font.
Keywords: headlines, greeting cards, invitations, quotes, packaging, playful, whimsical, handmade, friendly, casual, handwritten charm, casual elegance, expressive display, personal note, looping, bouncy, tall, airy, monoline-like.
A tall, slender handwritten script with a bouncy baseline and generous ascenders and descenders. Strokes show noticeable thick–thin modulation that mimics pen pressure, with tapered terminals and occasional teardrop-like finishes. Letterforms alternate between simple upright strokes and loopy joins, creating an uneven, lively rhythm; capitals are especially narrow and elongated, while lowercase forms mix open counters with occasional enclosed loops. Spacing and widths vary from glyph to glyph, reinforcing the organic, drawn quality while keeping an overall consistent vertical posture.
Best suited to short display settings such as headlines, greetings, invitations, quote graphics, and light packaging accents where the tall, expressive forms can breathe. It can also work for short subheads or labels, but the lively rhythm and thin strokes are less suited to dense body text at small sizes.
The font conveys an upbeat, informal tone—lighthearted and personable, like quick notes or hand-lettered headings. Its tall loops and springy movement add a whimsical, storybook flavor without feeling overly ornate.
The design appears intended to capture a casual, pen-drawn cursive feel with tall proportions and expressive loops, prioritizing charm and personality over strict typographic regularity. Its consistent upright stance and controlled contrast suggest a hand-lettered script built for decorative readability in display contexts.
Capitals lean toward simplified, signature-like constructions with minimal horizontal emphasis, while some letters (notably those with loops and descenders) add flourish that stands out in mixed-case text. Numerals follow the same handwritten logic with narrow forms and soft curves, reading best when given a bit of breathing room.