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Sans Superellipse Kudu 11 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Lustra' by Grype and 'Kernel' by JCFonts (names referenced only for comparison).

Keywords: ui labels, headlines, posters, wayfinding, tech branding, futuristic, tech, clean, modular, industrial, systematic design, tech aesthetic, modern display, interface utility, rounded corners, squared forms, monoline, geometric, boxy.


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A geometric sans built from squared, superellipse-like outlines with consistently rounded corners and monoline strokes. Curves resolve into flattened arcs and soft right angles, creating a sturdy, modular silhouette across letters and numerals. Counters tend to be rectangular and open, and terminals are mostly blunt, reinforcing a constructed, engineered feel. The overall rhythm is even and stable, with clear differentiation between straight segments and rounded bends.

Well-suited for UI labeling, dashboards, and product interfaces where a clean, engineered presence is desired. Its distinctive squared-round forms also make it effective for short headlines, posters, and sci‑tech branding systems. In signage and wayfinding, the steady geometry can provide a consistent, easily repeatable visual language, especially at medium to large sizes.

The font conveys a contemporary, tech-forward tone with an industrial practicality. Its softened rectangular geometry reads as modern and efficient rather than playful, suggesting interfaces, machinery, and sci‑fi influenced branding. The rounded corners temper the rigidity, keeping the voice approachable while still feeling precise and engineered.

The design appears intended to translate a rounded-rectangle geometry into a practical sans for modern display and interface contexts. By prioritizing consistent corner radii, blunt terminals, and rectangular counters, it aims to feel systematic and contemporary while maintaining a controlled, readable texture.

Several glyphs emphasize stylized geometry over conventional calligraphic detail, leaning into squarish bowls and simplified joins that keep the texture uniform in text. Numerals follow the same rounded-rectangle logic, matching the uppercase for a cohesive, system-like palette. The design’s distinct corner treatment is a primary identifier and remains consistent across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸