Sans Superellipse Ondoy 6 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: ui, wayfinding, branding, product design, dashboards, modern, technical, clean, friendly, futuristic, systemic geometry, screen clarity, contemporary neutrality, approachable tech, rounded corners, squared rounds, geometric, monoline, compact.
A geometric sans with superelliptical construction: round characters resolve into rounded-rectangle bowls and soft corners rather than true circles. Strokes are monoline with minimal contrast, and terminals are generally blunt, producing a crisp, engineered texture. Counters are wide and open, with squared-off interior shapes that keep forms stable and legible. The lowercase leans toward single-storey structures where applicable, and many joins and shoulders are simplified into smooth, controlled curves.
Well-suited to interface typography, dashboards, and digital product environments where clarity and a modern technical voice are needed. It also works for branding and packaging that aims for a sleek, contemporary look, and for signage or labels where sturdy, simplified shapes help maintain recognition at a range of sizes.
The overall tone is modern and technical, with a calm, orderly rhythm that feels contemporary and product-oriented. Rounded corners soften the otherwise utilitarian geometry, giving it an approachable, slightly futuristic character without becoming playful or decorative.
The font appears designed to deliver a systematized, geometry-first sans with softened corners for friendliness and screen-centric clarity. Its superelliptical logic suggests an intention to harmonize with modern UI shapes and industrial design languages while staying neutral enough for broad use.
The design emphasizes consistent corner radii and repeated rounded-rectangle motifs across letters and numerals, creating a cohesive system feel. Forms like the zero and bowls read as soft squares, and diagonals (e.g., in V/W/X) stay sharp and clean against the rounded vocabulary, adding visual contrast through geometry rather than stroke modulation.