Print Eddun 2 is a very light, very narrow, medium contrast, upright, very short x-height font.
Keywords: greeting cards, craft labels, children’s books, personal stationery, quotes, quirky, whimsical, hand-drawn, gentle, bookish, handmade feel, casual voice, light charm, note-like, monoline, spindly, airy, sketchy, wobbly.
A delicate, hand-drawn print face with thin, monoline strokes and lightly wavering contours that keep the texture informal and human. Proportions skew tall and slim, with generous ascenders and descenders and small lowercase bodies that emphasize vertical rhythm. Terminals are mostly blunt with occasional soft hooks and slight flare from pen pressure, while round forms (O, C, G) read as open, slightly irregular ovals. Spacing feels loose and variable in a natural way, reinforcing the handwritten cadence without connecting strokes.
Works well for short, expressive copy such as cards, invitations, journaling-style layouts, packaging accents, and quote graphics where a hand-rendered feel is desirable. It can also support headings or pull quotes in editorial or children’s contexts, especially when paired with a sturdier text face. Best used where a light, airy texture is an advantage rather than in dense, small-size reading.
The overall tone is playful and lightly eccentric, like neat notes written with a fine pen. Its narrow, spindly silhouettes give it an airy, understated charm rather than bold personality, making it feel friendly, indie, and personal. The subtle inconsistencies add warmth and approachability, suggesting a casual, craft-oriented voice.
The design appears intended to capture a tidy, hand-printed look with a fine-pen delicacy and just enough irregularity to stay authentic. Its tall, narrow construction and restrained stroke weight suggest an aim toward legibility and charm over bold impact, providing an informal voice for friendly, personal communication.
Uppercase shapes are simple and legible, with a few idiosyncratic details (notably the angular A, narrow M/W, and a looping ampersand-like character in the sample). Numerals are similarly thin and hand-formed, with rounded curves and occasional asymmetry that match the letterforms. The thin strokes and narrow structure make it better suited to moderate sizes than tiny text, where the light detailing may fade.