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Free for Commercial Use

Sans Faceted Anmu 9 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Minor' by Glen Jan, 'Gentona' by René Bieder, and 'Remissis' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, rugged, chunky, quirky, poster-like, display impact, handmade feel, graphic texture, signage style, angular, faceted, blocky, irregular, hand-cut.


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A heavy, all-caps-forward sans with chiseled, planar facets that replace curves with straight segments and clipped corners. Strokes are consistently thick with minimal modulation, creating a dense, compact texture. Many round forms (C, G, O, Q, 0, 8, 9) appear as multi-sided, beveled shapes, while diagonals and joins (K, R, V, W, X) feel sharply cut and slightly irregular. Spacing reads sturdy rather than delicate, with a tall lowercase presence and straightforward, upright construction.

Best suited to display settings where its bold, faceted forms can read clearly and add character—headlines, posters, short taglines, and logo or wordmark explorations. It can also work well on packaging and merchandise graphics where a rugged, hand-cut texture is desirable, especially at medium-to-large sizes.

The faceted cuts and slightly uneven geometry give the font a handmade, cut-paper or carved-sign energy. It feels bold and attention-seeking, with a playful roughness that keeps it from reading corporate or neutral. The tone lands between sporty display and quirky craft, suggesting impact and personality over refinement.

The design appears intended to translate a carved or cutout aesthetic into a bold sans structure—maintaining simple, legible letter skeletons while introducing systematic corner facets and polygonal curves for a distinctive, graphic voice.

Uppercase and numerals look especially emblematic due to the polygonal ‘O/0’ family and the strong corner clipping across the set. The lowercase keeps the same angular language, with simple, sturdy counters and minimal curvature; punctuation in the sample text reinforces the chunky, high-impact rhythm at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸