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Distressed Buma 1 is a bold, narrow, high contrast, upright, normal x-height font visually similar to 'Festivo Clean' by Ahmet Altun, 'Romper' by DearType, 'Sharp Sans Condensed' by Monotype, 'Otoiwo Grotesk' by Pepper Type, and 'Cervo Neue' by Typoforge Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, merch, signage, playful, rugged, handmade, retro, casual, print texture, handmade feel, vintage tone, playful display, tactile look, rounded, blobby, speckled, soft corners, stencil-like.


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A chunky, rounded display face with softly squared curves and a lively, handmade rhythm. Strokes are heavy with noticeable tapering and subtle contrast, and the contours show intentional roughness with small nicks and speckled voids that mimic worn ink or textured printing. Letterforms lean toward compact, slightly condensed proportions with gently irregular widths and spacing that keep the texture active in lines of text. Numerals match the same bulbous construction, and the overall silhouette stays friendly despite the distressed surface.

Best suited for display settings where the textured detail can stay visible: posters, bold headlines, product packaging, stickers, merch graphics, and informal signage. It can also add character to short callouts or titles in editorial layouts, especially when paired with a cleaner text face for body copy.

The texture and softened shapes give it a playful, gritty character—more craft fair than corporate. It reads like stamped, screen-printed, or rubber-stamped lettering, evoking casual retro packaging and handmade signage with a lightly rebellious edge.

The design appears intended to combine a friendly, rounded display structure with a deliberately worn print texture, creating an approachable type voice that still feels tactile and analog. The consistent distressed treatment suggests a focus on giving digital text the look of imperfect, real-world production.

The distressed detailing appears both along edges and within counters, so the texture becomes more prominent as size decreases and in lighter backgrounds. The rounded terminals and simplified geometry keep the alphabet coherent, while the uneven ink feel adds motion and personality across longer samples.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸