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Free for Commercial Use

Sans Normal Pukew 8 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Dikta Neue' by Atasi Studio; 'Lusio Soft' by Larin Type Co; 'Glimp Rounded' by OneSevenPointFive; 'Core Sans AR', 'Core Sans N SC', and 'Core Sans NR' by S-Core; 'Gogh' by Type Forward; and 'Artico Soft' by cretype (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, sports branding, playful, friendly, punchy, retro, display impact, friendly branding, energetic emphasis, retro flavor, rounded, soft, bouncy, chunky, informal.


Free for commercial use
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A heavy, rounded italic sans with compact counters and smooth, swollen curves. The slant is consistent and forward-leaning, with broad, simplified joins and minimal interior detail, giving letters a dense, solid color on the page. Terminals are blunt and softly eased rather than sharp, and curves dominate the construction—especially in C, G, S, and the numerals—creating a cohesive, bulbous rhythm. Lowercase forms read as single-storey and highly simplified, with sturdy stems and small apertures that emphasize the font’s mass and continuity.

Best suited for short, high-impact settings such as headlines, poster typography, product packaging, and logo wordmarks where a bold, friendly personality is desirable. It can also work well in sports or event branding and playful advertising, particularly when large sizes allow the rounded forms and italic motion to read clearly.

The overall tone is upbeat and approachable, with a lively, slightly retro feel driven by the rounded shapes and energetic italic stance. It conveys friendliness and humor more than precision, making it feel casual, exuberant, and attention-seeking.

The design appears intended to deliver maximum visual punch with an approachable voice, pairing a strong italic gesture with rounded, simplified letterforms. Its emphasis on smooth curves, compact counters, and a uniform heavy stroke suggests a display-first font built to be memorable and energetic in branding contexts.

Spacing appears generous enough to keep the heavy shapes from clogging, but the tight counters and small openings suggest the design is optimized for impact rather than fine detail. Numerals share the same rounded, chunky logic, producing a cohesive headline texture across mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸