Sans Other Jira 5 is a regular weight, very wide, monoline, upright, normal x-height font visually similar to 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, logos, posters, ui display, gaming, futuristic, tech, industrial, sci‑fi, sporty, modular system, technical voice, display impact, digital aesthetic, geometric, square, angular, rounded corners, stencil-like.
A geometric sans with a squared, modular construction and a consistent monoline stroke. Many curves are treated as rounded-rectangle corners rather than true circular bowls, producing boxy counters and crisp right angles. Several letters incorporate deliberate breaks and notch-like cuts that create a light stencil impression, while horizontals often end in squared terminals and corners are slightly softened. Proportions run wide with an extended stance, and the rhythm alternates between open, segmented forms and more continuous shapes, giving the alphabet a mechanical, engineered cadence.
Best suited for display settings where its geometric, cut-out detailing can be appreciated—headlines, branding wordmarks, posters, and titles for tech or sci‑fi themed projects. It can also work for interface labels and on-screen graphics when used at sizes large enough to keep the interior breaks and squared counters clear.
The overall tone reads futuristic and technical, evoking digital interfaces, sci‑fi labeling, and industrial equipment markings. The cut-ins and squared geometry add a purposeful, fabricated feel—more “machine-made” than humanist—while the softened corners keep it from feeling sharp or aggressive.
The design appears intended to deliver a modern, engineered sans voice built from modular, squared components, using strategic gaps and notches to suggest a stencil or digital-system aesthetic. Its wide proportions and simplified stroke logic prioritize visual impact and a cohesive “tech” texture over conventional text neutrality.
In text, the segmented details and wide footprints become a strong stylistic signature, particularly in rounded letters and figures where internal cuts and squared counters stand out. The design emphasizes clean geometry over traditional calligraphic modulation, which helps it hold a consistent, system-like presence across caps, lowercase, and numerals.