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Free for Commercial Use

Sans Superellipse Otmod 10 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel, 'Aspira' by Durotype, 'Deansgate' by K-Type, 'Aaux Next Cond' by Positype, 'Ordina' by Schriftlabor, 'Lyu Lin' by Stefan Stoychev, 'Lintel' by The Northern Block, and 'Aksioma' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, branding, signage, packaging, ui labels, modern, friendly, confident, utilitarian, clean, clarity, approachability, impact, modernity, simplicity, geometric, rounded, compact, blocky, sturdy.


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A heavy, geometric sans with rounded-rectangle construction and consistently smooth curves. Strokes are uniform and robust, with wide, open counters and compact proportions that keep letters feeling stable at large sizes. Terminals are generally squared off but softened by generous rounding, producing superellipse-like bowls in letters such as O, C, and G. Lowercase forms are straightforward and single-storey where expected (notably a and g), with short ascenders/descenders and a simple, unembellished rhythm that reads clearly in continuous text.

This font is best suited to headlines, short paragraphs, and display copy where its strong, rounded geometry can carry the message. It works well for branding, packaging, posters, and signage, and can also serve effectively for UI labels and navigation where a friendly but emphatic voice is desired.

The overall tone is contemporary and approachable, combining a friendly softness from the rounded geometry with a strong, matter-of-fact presence from the heavy weight. It feels practical and no-nonsense, but not harsh—well suited to clear communication with a modern, upbeat character.

The design appears intended to deliver a contemporary geometric look with softened corners, balancing strong visual impact with approachable readability. Its consistent stroke and rounded-rectangle forms suggest a focus on clear, scalable shapes that hold up well in bold, high-contrast applications.

The numerals follow the same rounded-rect geometry and appear designed for clarity, with sturdy shapes and ample interior space. Diagonal letters like K, V, W, X, and Y maintain the same heavy, even color, giving the font a consistent texture across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸