Sans Superellipse Igve 3 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to '403 Quzie' by 403TF, 'Churchward 69' by BluHead Studio, 'Dez Squeeze Pro' by Dezcom, 'Bhelt' by Fateh.Lab, 'Mowray' by Graha Type, 'Maken' by Graphicxell, 'Shtozer' by Pepper Type, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, industrial, retro, poster, assertive, mechanical, maximum impact, space saving, industrial voice, retro display, compressed, blocky, rounded corners, rectilinear, ink-trap cuts.
A compact, block-driven sans built from rounded-rectangle (superellipse) shapes with heavy, even strokes. Counters are tight and often squared-off, with small internal apertures that create a dense texture in text. Many joins and terminals show sharp, notch-like cuts and occasional tapered breaks, giving the letters a stenciled/ink-trap feel while keeping overall geometry rigid and rectilinear. Proportions are condensed with a strong vertical emphasis, and punctuation and numerals follow the same chunky, rounded-corner construction.
Best suited to short, high-impact settings such as headlines, posters, branding marks, packaging, and bold signage where its chunky geometry and notch details can be clearly seen. It can also work for brief callouts or labels where a dense, industrial voice is desired, but extended small-size text may feel heavy due to the tight apertures.
The overall tone is forceful and utilitarian, mixing a retro display attitude with a technical, manufactured feel. Its dense blackness and clipped detailing read as rugged and mechanical, suited to attention-grabbing statements rather than subtlety.
The design appears intended to deliver maximum impact in a condensed footprint, using superelliptical forms and deliberate cuts to add character and improve separation in heavy shapes. It aims for a strong, engineered look that feels both retro and industrial.
At larger sizes the distinctive notches and tight counters become a defining stylistic signature; at smaller sizes those same enclosed spaces can darken the line and reduce interior clarity. Spacing appears intentionally compact, reinforcing a compressed, headline-oriented rhythm.