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Free for Commercial Use

Shadow Mury 3 is a very bold, wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, merchandise, vintage, dramatic, ornate, theatrical, old-timey, display impact, dimensional effect, vintage gothic, decorative texture, blackletter, gothic, inline, beveled, angular.


Free for commercial use
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A decorative blackletter-inspired display face with angular, faceted forms and sharp wedge terminals. Strokes are heavily stylized with pointed joins and chiseled contours, and many glyphs include interior inline cut-ins that suggest a carved or hollowed construction. An offset secondary contour creates a consistent shadowed dimension, giving the letterforms a layered, embossed look. Counters are relatively tight, curves are treated as segmented arcs, and rhythm alternates between dense verticals and dramatic diagonals for a bold, poster-ready silhouette.

Best suited for short display settings where the carved inline and shadowed structure can be appreciated—posters, headlines, event titling, album/cover art, and logo wordmarks. It can also work for packaging or merchandise that benefits from a bold, vintage-gothic attitude, especially when set at larger sizes with generous spacing.

The overall tone is theatrical and vintage, evoking gothic signage, pulp-era titling, and show-card lettering. Its shadowed depth and cut-in detailing add drama and a slightly menacing flair, making it feel assertive and ceremonial rather than neutral or modern.

The design appears intended to deliver a bold gothic display voice with built-in dimensionality, combining blackletter cues with a carved inline and a consistent shadow offset. The goal is impact and character—an attention-grabbing, decorative texture that reads like engraved or show-card lettering rather than a text face.

The shadow treatment reads as a deliberate directional offset that repeats across capitals, lowercase, and numerals, reinforcing a cohesive 3D/shadow aesthetic. Numerals and round letters maintain the same carved/inline logic, and the most intricate shapes gain extra texture from the internal cut lines, which become a prominent feature at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸