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Solid Gane 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Hadney Buddy' by Arterfak Project, 'Akkordeon' by Emtype Foundry, 'MNSTR' by Gaslight, 'Burford Rustic' by Kimmy Design, 'Prismatic' by Match & Kerosene, 'Midnight Wowboy' by Mysterylab, 'Fatso' by T-26, and 'Cheapsman' by Typetemp Studio (names referenced only for comparison).

Keywords: headlines, posters, logos, signage, packaging, industrial, retro, stencil-like, punchy, rugged, maximum impact, stamped look, stencil effect, character texture, blocky, chunky, notched, beveled, compact.


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A heavy, compact display face built from solid, block-like forms with minimal interior separation and a strongly monoline feel. Many glyphs show angular cut-ins, chamfered corners, and small notches that create a stencil-like rhythm without open counters. Curves are simplified into broad, rounded masses, while joints and terminals often resolve into squared or clipped shapes, producing a bold, mechanical silhouette and tight internal spacing.

Best suited to short, high-impact settings such as headlines, posters, logo wordmarks, labels, and bold signage where dense, solid shapes are an advantage. It can also work for themed graphics that benefit from a stamped or cut-out look, but will read dark and busy in small text or long paragraphs.

The overall tone is loud and utilitarian, evoking stamped signage, equipment labeling, and retro commercial display. Its compressed heft and carved details read as rugged and assertive, with a slightly quirky, handmade-industrial edge rather than polished neutrality.

The design appears aimed at delivering maximum impact through compact, solid letterforms, while adding character via consistent chamfers and notch-like cut-ins. The collapsed interiors and carved terminals suggest an intention to mimic cut, stamped, or stenciled construction rather than conventional open-counter readability.

Counters and apertures frequently collapse into the surrounding strokes, especially in rounded letters, which increases texture and density in longer lines. The distinctive corner cutouts and notches become the primary identifying motif and are most effective at larger sizes where those details can be clearly seen.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸