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Free for Commercial Use

Slab Square Egpu 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Blame Sport' by Agny Hasya Studio, 'Hudson NY Pro' by Arkitype, 'Breaker Rockin' by Nathatype, 'Outright' by Sohel Studio, 'Octin Sports' by Typodermic, and 'Winner' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, collegiate, western, industrial, authoritative, retro, impact, branding, nostalgia, ruggedness, blocky, stenciled feel, octagonal, notched, compact.


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A heavy, block-constructed slab serif with squared, flat-ended strokes and crisp, chamfered corners. The letterforms are built from sturdy verticals and horizontals with minimal contrast, producing a dense, poster-ready texture. Many terminals and joints show angular notches and cut-ins that create an octagonal silhouette, while counters tend to be compact and rectangular. The lowercase keeps a robust, almost small-caps-like presence, and the numerals follow the same squared, trimmed geometry for a consistent set.

Best suited to headlines, posters, and large-format messaging where its blocky slabs and angular detailing can be appreciated without filling in. It fits sports and collegiate branding, bold labels and packaging, and attention-grabbing signage. In longer text, it will be most effective in short bursts such as pull quotes or section headers.

The overall tone reads bold, tough, and straightforward, with strong collegiate and workwear associations. Its sharp corners and notched detailing add a vintage, stamped-signage character that feels both nostalgic and utilitarian. The weight and squareness convey authority and impact, making the voice feel confident and somewhat rugged.

The font appears designed to deliver maximum impact with a rugged, square-slab voice, combining classic display-seriff structure with chamfered corners and notched terminals for a vintage, stamped aesthetic. The consistent geometry across caps, lowercase, and figures suggests an emphasis on uniform, brandable lettershapes that hold up in bold, high-contrast layouts.

The design relies on distinctive corner chamfers and inset cuts rather than curves, which gives it a mechanical rhythm and a slightly “carved” or “pressed” look in continuous text. Spacing appears geared toward headline settings, where the chunky forms and compact counters maintain strong presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸