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Free for Commercial Use

Sans Faceted Syby 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Bike Tag JNL' by Jeff Levine, 'Block Capitals' by K-Type, 'Gemsbuck Pro' by Studio Fat Cat, and 'FTY Galactic VanGuardian' by The Fontry (names referenced only for comparison).

Keywords: logotypes, headlines, posters, sports branding, gaming ui, industrial, tech, sporty, arcade, futuristic, impact, ruggedness, precision, modernity, legibility, angular, chamfered, blocky, geometric, compact.


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A heavy, geometric sans built from straight strokes and crisp chamfered corners, replacing curves with faceted angles. Counters are mostly rectangular and tightly fitted, giving letters like O, D, and P a squared, cut-corner construction. The overall color is dense and even, with minimal stroke modulation and consistent corner treatment across caps, lowercase, and figures. Lowercase echoes the uppercase structure with similarly squared bowls and terminals, producing a sturdy, mechanical rhythm in text.

Best suited to bold display applications such as logotypes, headlines, posters, and high-impact branding where its angular construction can read clearly and feel intentional. It also works well for sports graphics, gaming/arcade-themed interfaces, and industrial or technical labeling where a rugged, faceted tone supports the message.

The faceted, cut-metal geometry reads assertive and engineered, with a distinctly utilitarian, game-like edge. It suggests speed, machinery, and hard surfaces—more tactical than friendly—while remaining clean and legible at display sizes.

The design appears intended to translate a solid, high-impact sans into a faceted, chamfered construction that feels machined and contemporary. By standardizing angles and corner cuts across the character set, it aims for a cohesive, industrial display voice that remains readable in short bursts of text.

Diagonal strokes (e.g., in A, K, V, W, X, Y) are rendered as strong wedges, and many terminals end in flat cuts rather than curves, reinforcing the machined feel. Numerals follow the same octagonal logic, creating a cohesive, signage-ready set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸