Sans Superellipse Bomot 1 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, branding, ui labels, posters, packaging, minimal, airy, clean, modern, calm, geometric clarity, modern elegance, softened tech, display refinement, monoline, rounded, geometric, open counters, soft corners.
A monoline sans built from rounded-rectangle geometry, with softly squared curves and consistently radiused corners across bowls and terminals. Strokes are extremely thin and even, with generous interior space and open apertures that keep forms clear despite the delicate weight. Proportions feel tall and lightly condensed, with a steady vertical rhythm and smooth joins; diagonals (A, V, W, X, Y) are crisp while round letters (O, Q, 0, 8) read as superelliptical rather than purely circular. Numerals follow the same rounded-rect logic, giving the set a coherent, engineered look.
Well suited to headlines, logotypes, and brand systems that want a sleek, modern feel with softened geometry. It can work nicely for UI labels, product naming, signage, and editorial pull quotes where larger sizes preserve the hairline structure. The numeric set’s consistent rounded-rect construction also supports clean, design-centric displays for prices, dates, and simple data callouts.
The overall tone is quiet and refined—minimal, contemporary, and slightly futuristic. Its rounded-square curves add approachability to an otherwise technical, precision-led aesthetic, making the voice feel calm, clean, and design-forward.
The design appears intended to merge geometric clarity with softened, rounded-square forms, creating a distinctive superelliptical voice while keeping stroke behavior strictly uniform. Its very fine weight suggests an emphasis on elegance and spaciousness in display-oriented typography rather than dense text settings.
Because the strokes are so fine, the design reads best when given breathing room and sufficient contrast against the background. The rounded corners and tall proportions create a distinctive silhouette in headlines and short phrases, while long text will feel light and airy at larger sizes.