Sans Superellipse Olniy 14 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Festivo Letters' by Ahmet Altun, 'Perfume' by Fenotype, 'Informational Gothic JNL' by Jeff Levine, and 'Antiquel' by Lemonthe (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sports graphics, retro, poster, sporty, punchy, industrial, impact, compactness, distinctiveness, signage, condensed, rounded, chamfered, geometric, high-contrast apertures.
A condensed, heavy sans with rounded-rectangle (superellipse) construction and a largely even stroke weight. Terminals frequently finish with crisp, angled cuts, giving many letters a subtly faceted silhouette while keeping counters broadly rounded. Curves are tight and controlled, with compact bowls and generous interior space for the weight, producing clear negative shapes. Overall spacing and rhythm feel dense and vertical, with a strong, uniform color that reads cleanly in short bursts of text.
Best suited to headlines, posters, and branding where compact width and strong presence help maximize impact. It also works well for packaging, labels, and sports or event graphics that benefit from a sturdy, geometric voice and tight line lengths.
The font conveys a confident, throwback energy—part athletic signage, part mid‑century display. Its rounded geometry softens the mass, while the angled cuts add grit and urgency, creating a tone that feels bold, energetic, and slightly industrial.
This design appears intended as a high-impact condensed display sans that blends rounded superelliptical forms with sharp, angled detailing. The goal is to deliver strong readability at large sizes while offering a distinctive, contemporary-retro flavor for identity and promotional work.
Distinctive angular shears appear on several joints and terminals (notably in diagonals and some curved joins), which adds visual motion and a custom, logo-like character. Numerals follow the same compact, rounded construction and maintain a consistent weight and stance with the letters.