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Free for Commercial Use

Calligraphic Baju 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Branding SF' by Latinotype, 'Antry Sans' by Mans Greback, and 'Banana Bread Font' by TypoGraphicDesign (names referenced only for comparison).

Keywords: headlines, posters, packaging, children’s, branding, playful, whimsical, friendly, storybook, retro, personality, warmth, nostalgia, attention, handmade feel, bulbous, bouncy, rounded, soft, chubby.


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A heavy, rounded display face with hand-drawn calligraphic influence and soft, swelling strokes. Letterforms are compact and slightly condensed, with broad curves, tapered terminals, and subtly irregular contours that create a lively, organic rhythm. Counters are generally tight and rounded, and many joins show a gentle flare that suggests brush or marker modulation without sharp contrast. Overall spacing and proportions feel intentionally uneven in a controlled way, reinforcing a drawn, characterful texture in text.

Best suited for display settings such as posters, packaging, event titles, and brand marks where a friendly, character-driven voice is needed. It can also work for children’s products, playful food and beverage branding, and short bursts of editorial or social graphics, especially when set with generous tracking and simple companion type.

The tone is warm and mischievous, with a bouncy, cartoon-like friendliness that reads as informal and welcoming. Its chunky silhouettes and soft terminals evoke a vintage, storybook sensibility—playful rather than precise—making it feel personable and expressive.

The design appears intended to deliver a bold, approachable display look that mimics hand-rendered lettering while staying clear and consistent across the alphabet and numerals. It prioritizes personality and softness—using rounded geometry and subtle stroke swelling—to create an inviting, nostalgic headline presence.

The bold massing keeps shapes prominent at a distance, while the quirky curves and slight inconsistencies become more noticeable at larger sizes. Rounded forms dominate across both cases, and the figures match the same soft, weighty personality, supporting cohesive headline and short-copy use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸