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Free for Commercial Use

Distressed Jejo 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Helvetica Now' by Monotype, 'Pragmatica' by ParaType, 'NeoGram' by The Northern Block, and 'Aksioma' by Zafara Studios (names referenced only for comparison).

Keywords: posters, headlines, album art, packaging, apparel, grunge, handmade, rugged, punchy, retro, distressed impact, analog texture, hand-printed feel, gritty display, rough-edged, inked, blotchy, irregular, chunky.


Free for commercial use
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A heavy, chunky sans with uneven, torn-looking contours and subtly wobbly stroke edges that mimic rough inking or worn printing. Counters are generally open but slightly misshapen, with small nicks and bite-like irregularities along verticals and curves. Proportions are compact and blocky, with simplified terminals and a consistent, stamp-like weight that stays bold across the alphabet while allowing minor per-glyph variation. The numerals match the letterforms with the same distressed perimeter and sturdy, legible silhouettes.

Best suited to posters, headlines, cover art, and branding moments where a rough, printed texture is a feature rather than a flaw. It can work well on packaging, apparel graphics, and event promos that want an analog, worn-in feel. For longer copy, it’s most effective in short bursts (subheads, pull quotes) where the distressed edge texture doesn’t overwhelm the text.

The overall tone feels gritty and handmade, like ink pressed onto textured paper or a weathered stencil impression. Its roughness reads energetic and rebellious rather than refined, giving text a raw, tactile presence. The texture also adds a nostalgic, poster-era attitude suited to expressive, non-corporate messaging.

This design appears intended to deliver a bold, high-impact voice with an intentionally imperfect surface—evoking hand-inked lettering and distressed print artifacts. The goal is to keep forms simple and readable while letting the rough perimeter and uneven counters provide personality and grit.

In paragraph samples, the distressing remains visible at display sizes, creating a strong texture that can build a dark typographic “color” in longer lines. The irregular edges add character but also introduce visual noise, so spacing and line length will noticeably affect readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸