Sans Superellipse Fomip 4 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Northeast Railway' by Fabio Ares, 'Refinery' by Kimmy Design, 'Navine' and 'Revx Neue' by OneSevenPointFive, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, product branding, packaging, sporty, techy, assertive, dynamic, modern, impact, speed, modernization, branding, rounded corners, squared curves, oblique, compact, punchy.
A slanted, heavy sans with softly squared, superellipse-based curves and consistently rounded corners. Strokes are largely monolinear, producing a firm, even color, while the italic construction adds forward momentum and tightens spacing visually. Counters tend toward rounded-rectangular shapes, with clipped terminals and sturdy joins that keep forms compact and impact-driven. Numerals and capitals share the same robust geometry, giving the set a cohesive, engineered rhythm.
Best suited to short, high-impact settings like headlines, posters, campaign graphics, and branding systems that want speed and strength. It can also work for packaging and UI accents where a compact, modern italic voice is needed, but it will be most effective when given room to display its bold, sculpted shapes.
The overall tone is energetic and confident, combining a streamlined industrial feel with a sporty, performance-oriented attitude. Its forward slant and dense weight read as urgent and action-ready, while the rounded geometry keeps it approachable rather than harsh.
The font appears designed to deliver a fast, contemporary voice through a forward-leaning stance and rounded-rectangular construction, emphasizing solidity, clarity, and punch. Its consistent monoline structure and softened corners suggest an intention to balance technical precision with friendly, accessible forms.
The design favors broad, stable silhouettes and simplified apertures for maximum punch at display sizes. The slant is prominent enough to read immediately in running text, and the squared-round curve language stays consistent across uppercase, lowercase, and figures.