Print Pogul 8 is a bold, normal width, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, invitations, playful, folksy, cheerful, whimsical, friendly, handmade feel, expressiveness, friendly tone, display impact, rounded, soft terminals, brushed, bouncy, irregular.
A lively, hand-drawn display face with rounded forms and pronounced thick–thin modulation that feels brush-made rather than mechanically constructed. Strokes alternate between chunky verticals and tapering hairlines, with soft, blobby joins and subtly uneven curves that create an informal rhythm. Proportions vary from glyph to glyph, with some letters running wide and others compact, giving the line a gently bouncy texture; counters tend to be generous and shapes lean toward simplified, open silhouettes. Numerals and capitals follow the same organic logic, mixing sturdy stems with delicate finishing strokes and occasional calligraphic flicks.
This design is best used for short, prominent copy such as posters, headlines, packaging fronts, and brand accents where its hand-rendered contrast can be appreciated. It also suits invitations, menus, and social graphics that benefit from an informal, friendly voice. For best results, give it comfortable tracking and moderate sizes to keep the delicate hairlines from getting lost.
The overall tone is warm and characterful, leaning into a casual, personable charm. Its buoyant contrast and slightly quirky letterfit suggest a lighthearted, handmade sensibility suited to approachable, fun-forward messaging rather than strict formality.
The likely intent is to capture the immediacy of casual brush lettering in a consistent, reusable form, prioritizing personality and a handcrafted feel over strict typographic regularity. Its wide contrast range and rounded construction aim to feel expressive, welcoming, and visually engaging in display settings.
The font’s texture is driven by visible stroke-pressure changes and tapered ends, producing a strong inked/painted impression even at larger sizes. Spacing and widths feel intentionally irregular, which adds personality but also makes the face read more like a display style than a text workhorse.