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Free for Commercial Use

Distressed Jemy 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'FF Good' by FontFont, 'Gotham' by Hoefler & Co., 'Sans Beam' by Stawix, 'Ansage' by Sudtipos, and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, event promos, rugged, playful, poster, retro, rowdy, visual impact, tactile texture, vintage feel, informal tone, chunky, blocky, roughened, inked, blunt.


Free for commercial use
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A heavy, blocky display face with compact proportions and softly squared curves. Strokes stay largely monolinear, with subtle swelling in places, while edges and counters show intentional roughness and small nicks that suggest worn printing or imperfect inking. The letterforms are generally straightforward and upright, with broad shoulders, sturdy stems, and rounded bowls; spacing appears moderately tight in text, producing a dense, dark texture. Numerals and capitals keep the same chunky construction, with small irregularities that give each glyph a slightly handmade, stamped feel.

Best suited for posters, headlines, and title treatments where a dense, impactful silhouette is desired. It also fits packaging, labels, and merch graphics that benefit from a worn, analog texture. Use with generous size and breathing room to keep the rough edges and counters from visually filling in.

The overall tone is bold and rowdy, mixing vintage sign-painting energy with a rough, tactile finish. The distressed texture reads as informal and approachable rather than delicate, lending a gritty, playful character that feels at home in lively, attention-seeking settings.

The design appears intended to deliver maximum impact with a tactile, imperfect surface—combining simple, sturdy letter construction with controlled distressing to evoke printed ephemera and rugged display typography.

The distressing is consistent across the set, showing as uneven outlines and occasional interior speckling rather than extreme deformation, so forms remain recognizable at display sizes. The wide, blunt terminals and compact counters make it strongest in short lines where the rugged texture can be appreciated without clogging.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸