Sans Normal Admob 9 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'CF Asty' by Fonts.GR, 'Core Sans NR' by S-Core, 'Gogh' by Type Forward, and 'Glot' and 'Glot Round' by Wordshape (names referenced only for comparison).
Keywords: ui text, editorial, branding, posters, signage, clean, modern, dynamic, friendly, neutral, contemporary utility, friendly clarity, forward motion, oblique, rounded, open apertures, soft terminals, humanist.
This is an oblique sans with smooth, rounded construction and largely monolinear strokes. Curves are generous and circular, with open counters in letters like C, G, and e, and a clean, unbroken rhythm across the alphabet. Terminals read as softly finished rather than sharply cut, and the lowercase shows straightforward, contemporary shapes with a single-storey a and a simple, open e. Figures are clear and evenly proportioned, with an oval 0 and a straightforward, utilitarian 1, supporting a consistent texture in running text.
It works well for interface labels, dashboards, and general digital typography where a clean sans texture is needed but with added emphasis from an oblique stance. The open forms also suit short editorial passages, marketing copy, and headings, and it can perform effectively in signage or wayfinding when a modern, friendly voice is desired.
The overall tone is contemporary and approachable, with a slight sense of motion from the slant. It feels neutral enough for general UI and informational use while still adding a subtle energetic character suitable for modern branding and headlines.
The design appears intended as a versatile oblique sans that balances neutrality with motion. Its rounded geometry and open apertures suggest an emphasis on readability and contemporary appeal across both display and text settings.
The italic angle is pronounced enough to be immediately noticeable in both uppercase and lowercase, but the letterforms remain restrained and legible rather than calligraphic. Round letters maintain stable proportions, and the set avoids decorative quirks, emphasizing clarity and even color on the line.