Sans Normal Ohnat 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Afiga' by Degarism Studio, 'Garnet' by Ksenia Belobrova, 'Gardner Sans' by Lewis McGuffie Type, 'Orqquidea' by PeGGO Fonts, and 'Glorich' by Sarid Ezra (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, confident, modern, approachable, playful, impact, clarity, approachability, brand tone, display use, rounded, soft corners, geometric, clean, solid.
A heavy, geometric sans with rounded curves and subtly softened corners that keep the texture friendly rather than sharp. Strokes are largely uniform, with generous counters and clear internal shapes that stay open in letters like a, e, and s. Uppercase forms read as sturdy and straightforward, while the lowercase shows simple, contemporary construction (single-storey a and g) with compact joins and minimal detailing. Numerals follow the same solid, rounded logic, producing an even, stable rhythm in both isolated glyphs and continuous text.
This font is well suited to bold headlines, brand marks, packaging, and punchy marketing copy where strong silhouettes and quick recognition matter. Its open counters and rounded geometry also make it a good candidate for signage and UI callouts at larger sizes, especially where a friendly but assertive tone is desired.
The overall tone is modern and approachable, combining the firmness of a strong headline face with a warm, slightly playful softness. It feels confident and practical, suited to contemporary brand voices that want clarity without looking clinical.
The design appears intended to deliver a modern geometric sans voice with maximum impact and high legibility, while using rounded structure and softened corners to keep the personality welcoming. It balances clean construction with a slightly playful warmth to support contemporary branding and display typography.
Round letters (C, O, Q) are broadly elliptical and consistent, giving the font a cohesive geometric backbone. Terminals and corners tend to be squared off with softened edges, which helps maintain crisp silhouettes at display sizes while avoiding a harsh feel. Spacing appears balanced for dense settings, supporting compact headlines and short blocks of copy.