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Free for Commercial Use

Sans Other Lyde 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Headline Gothic' by ATF Collection, 'Bellfort Draw' by GRIN3 (Nowak), 'Thinking' by Graphicxell, 'Morning Paper JNL' by Jeff Levine, 'Jonze' by KC Fonts, and 'Duotone' by Match & Kerosene (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids, stickers, playful, friendly, quirky, handmade, punchy, display impact, approachability, handmade feel, whimsy, chunky, rounded, soft corners, bouncy, irregular.


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A heavy, compact sans with rounded terminals and softly squarish curves that give the outlines a chunky, cut-out feel. Strokes are consistently thick with minimal modulation, and counters tend to be small and enclosed, boosting density at display sizes. The letterforms show deliberate irregularities—subtle wobble, asymmetrical bowls, and slightly uneven joins—that create a lively rhythm rather than strict geometric precision. Overall proportions are tight and tall-leaning, with short crossbars and simplified interior shapes that keep silhouettes bold and immediate.

Best suited to short, high-impact text such as posters, headlines, event promos, packaging callouts, and playful branding where personality matters more than neutrality. It can work well for children’s materials, casual food and beverage graphics, and social content that benefits from bold, friendly emphasis.

The font conveys a cheerful, informal tone with a slightly mischievous edge, like hand-shaped lettering translated into a sturdy display sans. Its bouncy irregularity reads approachable and fun, suggesting humor, youthfulness, and a casual, human voice.

The design appears intended as a characterful display sans that prioritizes strong silhouettes and an informal, handmade impression. Its softened corners and intentional irregularities aim to add warmth and humor while staying solid and readable at larger sizes.

At smaller sizes the tight counters and heavy ink gain can reduce internal clarity, but at headline and poster sizes the quirky silhouettes remain highly distinctive. Numerals match the same chunky construction, leaning toward simplified, sign-like forms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸