Sans Contrasted Wigu 2 is a bold, narrow, very high contrast, italic, normal x-height font visually similar to 'Alonzo' by Fenotype (names referenced only for comparison).
Keywords: headlines, magazine, posters, branding, packaging, fashion, editorial, dramatic, luxury, theatrical, impact, elegance, expressiveness, modernity, calligraphic, sheared, knife-edge, bracketless, high-waisted.
A sharply slanted, high-contrast design with a pronounced sheared axis and tightly proportioned letterforms. Thick vertical stems snap into hairline-thin connections, creating a crisp, cut-paper rhythm that feels fast and directional. Counters are compact and often vertically emphasized (notably in round forms), while terminals tend toward pointed, tapered finishes rather than blunt endings. The overall texture alternates between dense black strokes and delicate hairlines, producing an energetic, sparkling color in text and a striking silhouette in display sizes.
Best suited to headlines, magazine spreads, lookbooks, and poster typography where contrast and slant can be shown off at larger sizes. It can also work for branding and packaging that aims for a premium, fashion-led feel, particularly when paired with a quieter companion for body copy.
The font reads as fashion-forward and editorial, with a dramatic, high-style attitude. Its razor-thin hairlines and steep slant suggest speed, confidence, and a touch of theatrical elegance. The tone leans modern-luxe rather than traditional, projecting impact and sophistication.
The design appears intended to deliver maximum visual drama through extreme contrast and a steep italic posture, creating a distinctive editorial voice. It prioritizes stylized forms, sharp transitions, and a high-impact typographic texture for display-led settings.
Uppercase forms feel tall and assertive, with several letters showing stylized construction (e.g., a split or inset feel in curved bowls and a distinctive, narrow eye in round characters). Lowercase includes a lively mix of compact, looped shapes and sharper, more linear joins, giving text a slightly irregular, expressive cadence. Numerals follow the same contrast logic, with delicate diagonals and thin entry/exit strokes that can appear especially fine at small sizes.