Sans Superellipse Voju 1 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Cindie 2' by Lewis McGuffie Type (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, techy, futuristic, sporty, confident, clean, modernity, impact, streamlining, distinctiveness, cohesion, rounded, extended, geometric, superelliptical, streamlined.
A heavy, extended sans with superelliptical construction: rounds read like rounded rectangles, and straights end in softly radiused corners rather than sharp terminals. Curves are broad and smooth, counters are generous, and joins are clean, giving the alphabet a compact, engineered feel despite the width. The lowercase shows a single-storey “a,” open, horizontal apertures, and a squared, modular rhythm in letters like e, s, and t; the dot on i/j is round and prominent. Numerals follow the same wide, rounded-rect geometry, with a clearly slashed zero and broad, stable silhouettes overall.
Best suited to headlines and short-to-medium display text where the wide stance and rounded geometry can set a strong visual identity. It fits branding, packaging, posters, and large-format signage, especially in tech, sport, and industrial-adjacent contexts that benefit from a streamlined, contemporary voice.
The overall tone is contemporary and assertive, with a sleek, tech-forward character that suggests speed and modern hardware or automotive styling. Its rounded geometry softens the weight, keeping it friendly and approachable while still feeling performance-oriented and confident.
The design appears intended to combine a geometric, superelliptical skeleton with a softened corner treatment to create a modern, high-impact display sans. Its extended proportions and consistent rounded-rectangle logic suggest a focus on distinctive word shapes, bold presence, and a cohesive, engineered style across letters and numerals.
The typeface maintains a consistent corner radius and stroke presence across caps, lowercase, and figures, producing a cohesive, “product-design” aesthetic. Wide proportions and large counters help keep dense shapes readable, especially in rounded letters (O, C, G) and compact forms (S, s).