Sans Faceted Rysu 3 is a bold, wide, low contrast, italic, normal x-height font.
Keywords: posters, headlines, logos, sports branding, packaging, energetic, sporty, urban, handmade, punchy, impact, motion, edginess, hand-cut character, display emphasis, angular, faceted, chiseled, brusque, dynamic.
A slanted, heavy sans with distinctly faceted construction: curves are replaced by short planar segments that create crisp corners and a carved, polygonal silhouette. Strokes are thick and fairly uniform in weight, with irregular terminal angles that read as knife-cut rather than mechanically rounded. Proportions run on the broad side with compact counters, and the spacing feels lively and slightly uneven, reinforcing a hand-shaped rhythm. Numerals echo the same angular logic, with simplified forms and sharp joins that keep the texture dense and assertive.
Best suited to display settings where its angular, high-impact texture can lead: posters, headlines, event graphics, and punchy brand marks. It can work well for sports or action-themed branding, packaging callouts, and short emphatic statements, especially at medium-to-large sizes where the faceting reads clearly.
The overall tone is bold and kinetic, with a rough-cut, streetwise confidence. Its faceted edges and forward slant suggest speed and impact, giving it a sporty, action-oriented feel that’s more expressive than neutral. The handmade irregularity adds grit and personality, steering the voice toward energetic display rather than polished corporate minimalism.
This design appears intended to deliver a bold, forward-leaning sans voice with a deliberately faceted, carved construction that substitutes energetic planes for smooth curves. The goal seems to be strong shelf impact and motion, trading typographic neutrality for character and attitude.
The faceting is consistent across uppercase, lowercase, and figures, creating a cohesive texture at text sizes, though the tight interiors and sharp joins can visually darken in longer passages. Ascenders and descenders are present but not exaggerated, keeping the line shape compact while the italic angle drives motion across a line of text.