Sans Other Ehny 2 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'FX Neofara' by Differentialtype, 'Diamante EF' by Elsner+Flake, 'Neuborn' by HIRO.std, 'Pcast' by Jipatype, 'Chandler Mountain' by Mega Type, 'Authority' by RetroSupply Co., 'Diamante Serial' by SoftMaker, 'TS Diamante' by TypeShop Collection, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, sports branding, game ui, logotypes, sporty, futuristic, aggressive, energetic, industrial, impact, speed, tech tone, competition, signage, oblique, condensed feel, angular, chiseled, hard-edged.
A heavy, oblique sans with sharply cut, angular terminals and a distinctly mechanical construction. Strokes are blocky and uniform, with frequent diagonal shears and wedge-like joins that create a faceted, carved look. Counters tend to be compact and squarish, and many forms show purposeful cut-ins and notches rather than smooth curves, producing a tight, forward-leaning rhythm. The lowercase maintains a tall, upright structure with minimal modulation, and the numerals mirror the same hard-edged geometry for a cohesive set.
Best suited to display settings such as headlines, posters, and event or team branding where impact and motion are desirable. It also fits game interfaces, tech-themed packaging, and logo wordmarks that benefit from a sharp, engineered voice. For longer reading, its dense counters and aggressive angles suggest using larger sizes and generous spacing.
The overall tone is fast, forceful, and tactical—closer to motorsport graphics and sci‑fi UI lettering than to neutral branding. Its slanted posture and sharp corners add urgency and a competitive edge, reading as assertive and high-impact in short bursts.
The design appears intended to communicate speed and strength through an oblique stance, heavy massing, and angular, machined detailing. Its consistent shearing and notched terminals point to a deliberate, graphic approach aimed at attention-grabbing titles and branded marks rather than quiet text typography.
Round letters are rendered with flattened arcs and chamfered corners, emphasizing straight segments over continuous curves. The design uses consistent slant and repeated diagonal cuts to unify the alphabet, which helps it feel like a single system rather than a mix of shapes.