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Free for Commercial Use

Inverted Abwu 7 is a very bold, narrow, very high contrast, upright, tall x-height font.

Keywords: posters, headlines, logo, packaging, signage, futuristic, techy, experimental, architectural, edgy, impact, modularity, branding, label aesthetic, sci-fi feel, stencil-like, modular, geometric, boxed, cutout.


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This typeface is built from crisp geometric forms with dramatic inside–outside interplay: white letterforms sit within solid black tiles, and many strokes feel carved out via sharp cut-ins and notches. Curves are smooth but tightly controlled, while corners and terminals often resolve into straight, angular truncations that create a stencil-like rhythm. Proportions skew tall and condensed, with compact counters and frequent use of open apertures and segmented joins that emphasize the cutout construction. In text, the consistent “boxed” presence produces a strong vertical cadence and a graphic, poster-like texture rather than a conventional reading color.

Best suited to display contexts where strong figure/ground contrast and a tiled, cutout look are assets—headlines, posters, event graphics, packaging, and logo or wordmark work. It can also work for UI-style badges or labels where a modular, blocky presence is desired, but it’s likely most effective at medium to large sizes where the internal cutouts remain clear.

The overall tone is modern and synthetic—more industrial interface than literary page. Its cutout geometry and high-contrast figure/ground effects read as assertive and experimental, suggesting digital signage, sci-fi titling, and brand marks that want to feel engineered and bold.

The design appears intended to merge a condensed geometric sans with an inverted, label-like presentation, using carved-out details to create a distinctive silhouette and a punchy, modular texture in lines of text. The emphasis is on graphic impact and a crafted, engineered feel rather than neutral continuous reading.

Because the glyphs are shown inside solid black rectangles, the font’s identity is closely tied to a label/tile aesthetic; spacing and word shapes take on a modular, grid-like character. Several letters and numerals rely on simplified internal shapes and open joins, which heightens recognizability at display sizes and reinforces the constructed, inlaid feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸