Sans Superellipse Lorod 12 is a light, normal width, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, dashboards, terminal ui, posters, packaging, techy, modular, retro, utilitarian, clean, technical clarity, modular system, digital feel, signage, rounded corners, rectilinear, boxy, geometric, stencil-like.
A geometric, rectilinear sans built from squared strokes with generously rounded corners and consistent line weight. Curves are largely replaced by rounded-rectangle turns, giving bowls and counters a superellipse feel; apertures tend to be engineered and open rather than calligraphic. Terminals are mostly straight cut with softened edges, and the overall rhythm is highly regular, reinforcing a structured, grid-based texture in text. Numerals and capitals read as compact and disciplined, with distinctive, angular construction in diagonals and simplified joins.
Well suited to interface labeling, dashboards, data displays, and system-like graphics where a structured, grid-friendly voice is desired. It can also work for headings, posters, and packaging that aims for a modern-tech or retro-digital aesthetic, especially at medium to large sizes where the rounded-square details are most apparent.
The font conveys a technical, instrument-panel mood with a subtle retro-computing character. Its rounded-square geometry feels friendly enough to avoid harshness, yet remains systematic and schematic, suggesting precision and engineered clarity.
The design appears intended to translate rounded-rectangle geometry into a practical, highly regular text face with strong legibility through consistent stroke behavior and simplified forms. Its disciplined construction suggests an emphasis on clarity, repeatable shapes, and a contemporary techno tone rather than expressive handwriting or classical typography.
Several glyphs lean into modular, almost sign-painter simplicity: round letters are squared off, and diagonals are sparing and purposeful, which creates strong differentiation at a glance. The punctuation and spacing in the sample text maintain an orderly cadence, making the overall color even and predictable.