Sans Normal Arreg 9 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'DuGrotesk' by Dutype Foundry, 'Neufile Grotesk' by Halbfett, 'Beatrice Standard' by Monotype, and 'Neue Faktum' and 'Neue Rational Standard' by René Bieder (names referenced only for comparison).
Keywords: ui text, body text, forms, dashboards, signage, neutral, modern, clean, friendly, functional, general purpose, legibility, clarity, neutral tone, everyday text, humanist, open apertures, large counters, soft curves, even rhythm.
This typeface is a straightforward sans with smooth, rounded construction and largely monolinear strokes. Curves are generously drawn with large counters and open apertures, keeping letters like C, G, S, and e clear and breathable. Terminals are mostly clean and unadorned, with subtly softened joins that avoid a mechanical feel. Uppercase forms are simple and balanced, while lowercase shows a humanist touch in the proportions and the single-storey a and g; the t is compact with a short crossbar, and the i/j use round dots. Numerals are uncomplicated and readable, with consistent stroke weight and clear differentiation between similar shapes.
It suits interface copy, product text, and other utilitarian contexts where steady texture and fast recognition matter. The clear numerals and open lowercase forms also make it a good choice for data-heavy layouts, labeling, and straightforward signage.
The overall tone is neutral and contemporary, prioritizing clarity over personality. Its rounded forms and open spacing give it a mild, approachable feel while remaining businesslike and restrained.
The design appears intended as a general-purpose sans optimized for everyday reading, using open forms and restrained geometry to stay clear across a range of sizes and contexts without adding stylistic distraction.
In text settings the rhythm stays even and calm, with no sharp contrasts or decorative features drawing attention away from content. The shapes favor legibility at typical UI and editorial sizes, and the punctuation and curves maintain a consistent visual color across lines.