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Free for Commercial Use

Blackletter Asga 11 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, packaging, book covers, certificates, gothic, medieval, ecclesiastical, heraldic, dramatic, historic evocation, decorative display, formal tone, title emphasis, angular, ornate, calligraphic, broken strokes, sharp terminals.


Free for commercial use
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This typeface presents a blackletter-inspired construction with compact, upright forms and pronounced thick–thin contrast. Strokes break into segmented, calligraphic joins with sharp wedges, hooked terminals, and occasional rounded bowls that keep counters open while preserving a dense color on the page. Capitals are highly decorative with sweeping entry strokes and stylized interior cuts, while lowercase maintains a consistent vertical rhythm with narrow, pointed arches and crisp feet. Numerals echo the same pen-driven modulation, mixing curved bowls with angular stress for a cohesive set.

Best suited for display typography such as headlines, posters, album or book covers, and branding elements that benefit from a historic, formal voice. It can work well on certificates, invitations, or product packaging where ornate capitals and a dense blackletter texture help establish tradition and prestige.

The overall tone feels historic and ceremonial, evoking manuscript lettering, formal proclamations, and traditional craftsmanship. Its assertive contrast and ornamental capitals add a sense of drama and gravitas, suitable for titles that want to read as authoritative or old-world.

The design appears intended to translate broad-pen blackletter principles into a consistent, decorative display face, pairing ornate capitals with a more regularized lowercase for readable word shapes. Its emphasis on contrast, sharp terminals, and broken stroke logic suggests a focus on impact and historical flavor over minimalist neutrality.

In the sample text, the strong vertical cadence creates a steady texture, while the elaborate uppercase forms draw attention at word starts and headings. The detailing is crisp and expressive, making the face most visually effective when given enough size and spacing to let the internal cuts and terminals remain distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸