Sans Superellipse Abguz 26 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FF Zwo' by FontFont, 'Glober' by Fontfabric, 'Salda' by Hurufatfont, 'Aneba Neue' by Machalski, 'Akwe Pro' by ROHH, and 'Plantago' by Schriftlabor (names referenced only for comparison).
Keywords: ui text, product design, branding, signage, headlines, friendly, modern, clean, approachable, confident, clarity, modernity, warmth, versatility, legibility, rounded, soft, geometric, even, compact.
A rounded, geometric sans with superelliptical curves and softly squared counters that give letters a smooth, sculpted feel. Strokes stay largely uniform with clean, open apertures and minimal modulation, producing an even texture in blocks of text. Terminals tend to be straight or gently softened rather than sharply cut, and the bowls (notably in B, P, R, a, and e) read as rounded rectangles. Lowercase forms are compact and tidy, with a single-storey a and g, a short, sturdy r, and simple, stable numerals that align well in tabular-looking runs.
Works well for UI labels, dashboards, and general product typography thanks to its clear shapes and even color. The rounded geometry also makes it a good fit for friendly branding, packaging, and wayfinding, and it holds up in medium-to-large headlines where the superelliptical construction becomes a distinctive visual signature.
The overall tone is contemporary and friendly, with a calm, practical voice. Rounded geometry adds warmth and approachability while the steady rhythm keeps it clear and businesslike rather than playful. It feels dependable and modern, suited to product-focused communication where clarity and an inviting personality are both desired.
The design appears intended to blend geometric order with a softer, more human-friendly surface. By using superelliptical curves and restrained detailing, it aims for high legibility and a modern feel while avoiding the coldness of strict geometric sans styles.
Capitals are broad and steady with consistent spacing, and diagonals (A, V, W, Y, X) feel strong without becoming aggressive. The Q has a clean, understated tail, and the e’s horizontal bar reads clearly at text sizes. The figures are straightforward and legible, with open shapes in 0/6/9 and a simple, upright 1.